Soboninkun


SOBONINKUN (Ballet)

Soboninkun is a mask dance played after a big harvest is brought into a village. A very skilled, trained dancer travels from village to village and is rewarded with food and gifts for his performance.

Notes: 
Microtiming stretches rhythm into direction of 12/8.

"Feeling hovers between binary and ternary, which is typical for Wassolon rhythms. The tone flam in the accompaniment is played slightly stretched."

Reference: Also known as Soumounoukou. 


Fara Tolno:

Ballet Duns

         1 . . . 2 . . . 3 . . . 4 . . . 
Break:   @ . T T . T . T T . S S S . . .

Dun:     . . . . . . D . . . . . D . D . (one time)
         K K . S . . D . . . . . D . D . >>
         K K . S . . D . . . . . D . D . >>
         K K . S . . D D . D . D D . D . >>

Jembe:   1 . . . 2 . . . 3 . . . 4 . . .
         S . . S TT. T T S . . S TT. T T

         1 . . . 2 . . . 3 . . . 4 . . .
Jembe:   S . . S S . T T S . S S . . T T


Traditional Duns

Break:  
         1 . . . 2 . . . 3 . . . 4 . . .
         @ . t t . t . t t . s s s . . .

         1 . . . 2 . . . 3 . . . 4 . . .
Bell:    x . x x x . x x x . x x x . x x
Dun:     . . . . . . D . . . . . . . D .

         1 . . . 2 . . . 3 . . . 4 . . .
Bell:    x . x x x . x x x . x x x . x x
Sangba:  M . . M . . . S . . S S . . . .

         1 . . . 2 . . . 3 . . . 4 . . .
Bell:    x x . . x x . . x x . . x x . . 
Kenkeni: M . . . K K . . M . . . K K . .
                 ^


Mamady:

         1 . . . 2 . . . 3 . . . 4 . . . 
Break:   @ . T T . T . T T . S S S . . .

         1 . . 2 . . 3 . . 4 . . 
         R . L RLR L R . L RLR L 
Jembe    S . S @ T T S . S @ T T  slow flam

         1 . . 2 . . 3 . . 4 . . 
Jembe    R . L R R L R . L R R L
         S . S S T T S . S S T T 

         1 . . 2 . . 3 . . 4 . . 
Sangba   . x x . x x . x x . x x 
         M . M . . B . B B . . . 
                             ^
         1 . . 2 . . 3 . . 4 . .
Kenkeni  x x . x x . x x . x x . 
         M . . B B . M . . B B . 
 
         1 . . 2 . . 3 . . 4 . . 
Dun      . x x . x x . x x . x x 
         . . . . B . . . . . B . 







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